Is Instagram Homophobic?

Before you continue reading on, yes, this is me calling out Instagram publicly. I’m not sorry about it.

As some of you may know, I’m running The Gay Bible as part of a year-long project for my public relations class. This semester, part of my assignment is to spend $20 on promotional materials (ads), so I decided to promote a few of my posts on Instagram that would lead people to my blog.

However, doing that wasn’t as easy as you may think.

When I went to promote two of my posts, one talking about pronouns, and other talking about having a gay friend, they were both rejected for “promoting the sale or use of adult products or services.”

If you’ve been reading my blog, you should know I do not promote the sale or use of adult products or services. While I am someone who is sex-positive and encourages owning your own sexual desires, I don’t post about these things on social media because, as we all know, Instagram doesn’t like that.

One of my ads that was denied by Instagram.

As a result of this, I reached out to @Instagram and @InstagramComms on Twitter in hopes of receiving an answer. Silly of me to think they’d respond, right?

Hi @instagramComms @instagram — you’ve rejected three of my promoted posts now for “promoting adult products or services,” but I don’t see how any of these posts are doing that. What exactly am I doing wrong here?

Originally tweeted by Aldin Sabic (@aldinsabic_) on March 18, 2021.

To no surprise, they didn’t respond.

So, I figured my age range was too low. Even though the minimum age for my target audience was 18-years-old, I bumped it up to 21. I also created an entirely new post that I was sure wouldn’t get denied: I made sure to exclude any talks about sex or adult “services,” and made it super friendly.

The post looks great, right?

They finally let me promote it. I set my budget to $20 over 5 days, and I woke up to some new website clicks from it. Things were looking great.

That’s when things went south, again.

After only spending a single dollar, Instagram disabled my business account and restricted me from running promotions for “failing to follow our Advertising Policies.” Um, ok?

I don’t exactly know what “policies” I failed to follow, but if Instagram is disabling my account for promoting a safe space for the LGBTQ community, then that sends a different message about their platform.

I sent out another tweet to the Instagram PR team and the Instagram Twitter itself, and alas, no response. And did I mention my appeals for my two previous promoted posts mentioned earlier were rejected? Yup.

I haven’t received a response on Twitter, and considering my appeals were rejected, this only sends me, and other members of the LGBTQ community, a message that Instagram and Facebook do not support our community.

Is this surprising? Not at all. Instagram continuously allows scammers to thrive on the platform, and others to spew hate to various minority communities. They instead prefer to silence those who are trying to improve those communities and open up certain conversations that need to be had.

In short, this is sad, disrespectful, and outright homophobic behaviour. Instagram has slapped me in the face, and this post is a last resort. I refuse to be silenced for trying to do something as simple as promote a blog for a school assignment, and I will not be quiet about this until something is done.

Why You Should Be Putting Your Pronouns In Your Bio

Disclosing your pronouns goes farther than you may think.

If you’re on social media, or don’t live under a rock, you’ve probably seen people include their pronouns in their bio — whether it be on Instagram, Twitter, all the fun stuff.

If you don’t know what pronouns are, allow me to break them down for you:

If you’re a grammar nerd like myself, technically speaking, a pronoun is a word that can function by itself as a noun phrase and refers either to yourself in discourse (e.g., I, you) or someone/something mentioned (e.g., she, it, this).

Most commonly, you’ll likely stumble upon one of these three pronouns when you visit someone’s social media profile:

  • She/her/hers — this means you refer to this person as she, her, or hers in discourse.
  • He/him/his — this means you refer to this person as he, him, or his in discourse.
  • They/them/theirs — this means you refer to this person as they, them, or theirs in discourse.

You will also see some people go by multiple pronouns, so it may look something like:

  • He/they — this means you may refer to this person as he, him, his, or they, them, theirs.
  • She/they — this means you may refer to this person as she, her, hers, or they, them, theirs.

Most commonly, you’ll see those who identify as non-binary use they/them or he/they or she/they pronouns. Non-binary is a term for people who aren’t comfortable being referred to as ‘man’ or ‘woman.’

Now back to the discussion at hand: most people tend to think that, if they’re cisgender, meaning they identify with the sex assigned to them at birth, why should they even disclose their pronouns if it’s “easy to tell what their gender is.”

Well, the answer is simple, yet not. The fact of the matter is, there’s no easy way to tell what someone’s gender may be or how they may identify. You don’t “look” transgender, and you don’t “look” non-binary. Assuming one’s gender simply based off appearance is offensive and perpetuates harmful stereotypes and transphobic rhetoric.

Disclosing your pronouns, whether it be in an email signature or your Instagram bio, helps normalise discussions about gender, especially for the trans and non-binary communities.

Because members of the non-binary and trans communities are often misgendered, it’s important for them to disclose their pronouns so they feel safe participating in discourse.

But doing this doesn’t and shouldn’t stop with the trans and non-binary communities.

Pronouns are an important move towards inclusivity: they allow everyone to feel safe in expressing themselves, it helps you avoid getting someone’s gender wrong, and it reduces the burden on our trans and non-binary friends so they don’t have to continuously explain their identity.

If you consider yourself an ally to the LGBTQIA* community, using your pronouns is a small move to you, but a big one that means the world to us. And when you do so, not only are you encouraging your cisgender friends to the same, but it’s a way to show members of the LGBTQIA* community that you care about their identity. It’s a badge of pride.

We as the LGBTQIA* community can only do so much when it comes to normalizing things like pronouns. And whether you’re a part of the community or not, I encourage you to put your pronouns wherever possible. With your help, we bridge the gap and open the conversation to pronouns and trans rights.

How It’s A Sin Is Opening People’s Eyes To The Stigma Around HIV/AIDS

How one show is teaching us about the 80s HIV/AIDS epidemic.

I was recently recommended to watch a show called It’s A Sin, and I binged the entire thing within five hours.

If you haven’t heard of it before, It’s A Sin is a five-episode miniseries which follows a group of gay men who move to London in 1981, but the fast-developing HIV/AIDS epidemic in the United Kingdom impacts their lives.

I believe everyone can take a lesson or two away from this show: whether you’re straight, gay, lesbian, doesn’t matter. Chances are, you may not know as much about the HIV/AIDS epidemic as much as you think you do.

And before you keep reading, this isn’t a review or a recap. In fact, this post won’t contain any spoilers at all — because I think everyone can benefit from watching this show, and my writing can’t do the show justice.

Instead, the show highlights an important lesson many of the viewers take away with them when they finish watching.

This lesson is one of the most important ones many LGBT activists are still fighting to end: stop making assumptions or judging those who are living with HIV/AIDS.

Many people today still make others feel ashamed for living with HIV — roughly one in eight people who are diagnosed with HIV are denied health services due to the stigma around it.

While the stigma today isn’t the same as it was during the time period in It’s A Sin, we can’t pretend everyone is welcoming those who do have it with open arms. Because after all, that isn’t the truth. If I told you I have HIV, which I don’t, how would you react? Would you be confused, angry, disgusted, and stop being my friend? or would you be empathetic, caring, and understanding?

The human brain likes to tell ourselves we would be empathetic and understanding. But you won’t know the true answer until you’re put in that situation yourself.

“Whenever AIDS has won, stigma, shame, distrust, discrimination and apathy was on its side. Every time AIDS has been defeated, it has been because of trust, openness, dialogue between individuals and communities, family support, human solidarity, and the human perseverance to find new paths and solutions.”

Michel Sidibé, Executive Director of UNAIDS

During the 1980’s, the time period in which It’s A Sin is set in, almost nobody knew anything about HIV/AIDS (at the time it was called the “gay flu”) and how it was transmitted. This meant people were afraid of those who were sick and would avoid them like the plague. And when people would die of eventual AIDS, their family would say they died of pneumonia or cancer.

The fear people have against those who are living with HIV/AIDS also means that a lot of people falsely believe that:

  • HIV/AIDS is a death sentence: while there was no cure or treatment for HIV/AIDS in the 1980’s, many people who are diagnosed with HIV today go on to live normal life expectancies, just like you and I. And those who take their medication prescribed daily, will eventually get an undetectable viral load, meaning they will not be able to transmit HIV to an HIV-negative person.
  • HIV is only transmitted through sex: incorrect. HIV can be transmitted in various ways, by coming into direct contact with certain body fluids: blood, semen, rectal or vaginal fluids, and breast milk. For transmission to actually happen, these fluids must enter an HIV-negative person’s body through the rectum, vagina, mouth, tip of the penis, open cuts or sores, or by direct injection (needles).
  • HIV is the result of personal irresponsibility or moral fault: many people who are living with HIV aren’t aware they have it. Approximately 1.4 million people in the U.S. are living with HIV, and 14 per cent aren’t aware of it. To save you the math, that’s 196,000 people who are unknowingly transmitting HIV to other people. So, no, HIV isn’t the result of irresponsibility. An HIV diagnosis doesn’t make someone dirty or irresponsible. You don’t know until you get tested.

In It’s A Sin, the stigma around HIV/AIDS is heartbreaking to watch — because it’s difficult to put yourself in those shoes. But it opens up a conversation more of us need to be having. And while it’s a cliché, don’t judge a book by its cover. You never know what someone who is living with HIV/AIDS may be going through.

Leave your ignorance at the door. It isn’t welcome in 2021.

To learn more about the HIV/AIDS stigma, click here.

To donate to AIDS United, click here.

To watch It’s A Sin on Prime Video (for my fellow Canadians), click here.

RuPaul’s Drag Race Season 13 Episode 7: A Recap

The queens flex their improv skills in a reboot of the salacious talk show “Bossy Rossy,” hosted by Ross Mathews; LGBT activist TS Madison guest judges.

Disclaimer: This post discusses spoilers from RuPaul’s Drag Race season 13 episode 7. If you haven’t seen the episode yet, don’t say I didn’t warn ya!

Last week on RuPaul’s Drag Race, we said goodbye to our queen Tamisha Iman, who lost a lip sync for your life to Kandy Muse, who is feeling some guilt for sending Tamisha home after they were starting to rekindle their friendship. Olivia, on the other hand, is feeling totally ecstatic after her win, and Elliott is still having a difficult time making friends.

Nonetheless, it’s a day in the werkroom, and we still have so many queens left. And it’s episode 7. This is getting a little out of hand.

For this week’s mini challenge, the library is officially open, and the queens are reading each other.

Rosé, Denali, Gottmik, and Symone are natural readers. Meanwhile, Olivia, Elliott with 2 Ts, and Kandy are flops (to put it nicely). Gottmik is declared the winner of this week’s mini challenge.

For this week’s maxi challenge, the queens are working in groups to appear on Bossy Rossy: After Dark, hosted by none other than Ross Mathews (what a surprise!) — RuPaul will be assigning the groups at random.

The groups are Symone and Kandy, appearing in Tiffany Gibson & Lil’ Deb Deb: Where Are They Now?, Denali, Rosé, and LaLa Ri, appearing in I’m Pregnant With My Imaginary Boyfriend’s Baby, Gottmik, Utica, and Olivia, appearing in Breaking My Silence: Escaping the Cult of Mimeology, and Tina and Elliott with 2 Ts, appearing in My Best Friend’s 600-Pound Ass is Killing our Friendship!

This week’s maxi challenge is purely improv, meaning no scripts and no rehearsal. The queens will need to feed off each other’s energy in order to shine this week. As someone who did drama and musical theatre actively in high school, improv isn’t easy, so it’s always interesting to see how the queens interpret their characters with little to no guidance. And when you tell drag queens of all people to do improv, it can either go really well, or it can go completely south because both queens are trying to be large and in charge.

In the actual challenge, Denali and Rosé’s loud pregnant ladies overshine LaLa Ri’s shy doctor, Olivia kills it as Cheryl the mime while Utica falls flat, Kandy and Symone’s characters are fairly low energy, but they’re still delivering a solid performance, and Tina and Elliott? We’re not going to talk about it. I hated it, I want to forget it, I want it erased from my memory.

While the queens get ready in the werkroom, Symone is feeling nervous about her and Kandy’s performance because their characters were out of their comfort zones. We also learn Symone’s brother committed armed robbery when she was younger, which had a huge impact on her relationship with her mother. Elliott and Tina think they did “amazing,” which is delusion central. However, Elliott reveals to Tina she suffers from pretty severe clinical depression, which draws them closer together. Let it be known to not make judgements on someone’s character before you learn their story first. Okurrrrr?

On the mainstage, RuPaul is joined by judges Michelle Visage, Ross Mathews, and this week’s extra-special guest judge, LGBT activist TS Madison.

On the runway, category is: Bead It. Denali is a jaw-dropping chandelier, Rosé looks like a neon Tinkerbell, LaLa Ri went with a revealing two-piece with bouncy hair, Gottmik is wearing a 60s mod dress with huge red anal beads on her head, Olivia looks like a big sixth grader, Utica went with a bloody bride who murdered her husband look, Kandy is finally giving us high-fashion (but she’s walking down the runway at 2 miles per hour), Symone went with a Glamazon-African warrior look, Tina finally ditched the classic red/yellow/orange colour scheme (aside from her wig, yawn), and Elliott is serving in a 1920’s flapper dress.

The safe queens this week are Rosé, Denali, Gottmik, and Tina. The tops and bottoms are LaLa Ri, Olivia, Utica, Kandy, Symone, and Elliott with 2 Ts. In terms of critiques, LaLa Ri faded into the background, Olivia took a risk and did great, the judges got lost in Utica’s confusing performance, Kandy hit all the right spots, Symone also played her role well, and Elliott with 2 Ts completely missed the mark.

After the judges deliberations, the rankings this week are as follows:

Olivia Lux: WINNER

Symone: HIGH

Kandy Muse: HIGH

Utica Queen: LOW

LaLa Ri: BOTTOM 2

Elliott with 2 Ts: BOTTOM 2

That means Elliott with 2 Ts and LaLa Ri face off in a lip sync for your life to “Whole Lotta Woman” by Kelly Clarkson. Both queens are very talented dancers, so this was an absolute serve. While this could have totally been a double shantay, we are unfortunately saying goodbye to our queen LaLa Ri. While I’m sad to see LaLa go, I would have been pissed if this was a double shantay — I can’t handle an extra episode this season.

What did you think of this week’s episode? Do you think LaLa Ri deserved to be the queen to sashay away? Let me know in the comments below!

Ta-ta for now!

x

RuPaul’s Drag Race UK Season 2 Episode 5 Recap: RuRuvision Realness

The queens work in two groups to perform in the RuRuvision song contest. An eliminated queen makes a return.

Disclaimer: This post discusses spoilers from RuPaul’s Drag Race UK season 2, episode 5. If you haven’t seen the episode yet, don’t say I didn’t warn ya!

Last week on RuPaul’s Drag Race UK, we said goodbye to our queen Ginny Lemon.. or did she say goodbye to us?

Who knows. But we do know some of the queens, including Lawrence Chaney, think it was disrespectful of Ginny to tap out instead of facing off against Sister Sister. A few of the other queens as well, including A’Whora and Tayce, think Veronica Green should’ve been in the bottom instead of Ginny. What did you think of last week’s elimination? Did you think it was disrespectful of Ginny to walk out? Do you think Veronica should’ve been in the bottom instead?

When the queens walk back into the werkroom after Ginny’s elimination, they gather on the couch before they’re interrupted by a blatant police siren coming from the TV, where RuPaul usually says a clever sentence or two about the maxi challenge before entering the room. However, the TV never goes off after an elimination — it’s usually the next day once the queens have de-dragged and rested up.

When the queens approach the TV, RuPaul lets the queens know that, ” due to the rapidly changing coronavirus situation, we must cease filming immediately.” I don’t know about you, but I’m gagged, the queens are gagged, I’m gooped, the queens are gooped, and I’m experiencing every other word that starts with the letter G. RuPaul tells the queens to “sashay away,” and we can assume the queens left the show until it was safe to return.

But of course, we’re obviously still getting an episode this week. Seven months later (literally), each queen walks back into the werkroom (as boys, unfortunately. I would have loved to see them do some epic entrance looks again!) and they all reunite happily ever after.

But, girl.. if you thought that was the only gag this episode, you’d be extremely wrong.

Once RuPaul finally greets the queens in the werkroom after a seven month hiatus, he lets them know that Veronica Green has tested positive for COVID-19, and she will not be joining the queens for the rest of the season (remember that these episodes are filmed months in advance, so Veronica is doing just fine now!)

It’s unfortunate Veronica’s journey had to end this way, because she was a sickening queen who knew how to bring it to the runway. She also delivered a killer performance in Rats: The Rusical, so at least we still have that, right?

Nonetheless, RuPaul mentions Veronica has an open invitation to return to the show next season. Thank god!

But if you thought that was the only gag AGAIN? Girl, there are so many twists this season, I can’t keep up. My mind is still trying to process Ginny Lemon walking out last week.

To start this week’s episode, the “Brit Crew” enters the room dressed as three animals: a dog, a cow, and an elephant. But little do the queens know, they take their heads off to reveal three of the eliminated queens underneath: Joe Black, Cherry Valentine, and Asttina Mandella. We also learn that Ginny Lemon has not been invited back because she quit. Basically, if she had lip synced and still lost, she would’ve had a chance at coming back — yikes.

Ru lets the queens know one of the eliminated queens will be returning to the show, and the decision will be made by them. The eliminated queens also state their case on why they think they should come back. Joe Black receives five votes, Asttina receives two votes, and Cherry Valentine doesn’t receive any votes.

I am BEYOND thrilled to see Joe Black back in the competition. I was so devastated to see her sashay away in episode one, because she did not deserve to be in the bottom. This season is finally looking up again.

For this week’s maxi challenge, the queens will be representing the United Kingdom in the first ever RuRuvision song contest, which is a play on the Eurovision song contest, an international song competition organised annually by the European Broadcasting Union. Working in two groups, the queens will need to write their own lyrics, create a hot Euro-pop look, and come up with their own choreography. Joe Black and Lawrence Chaney are team captains. Joe chooses Sister Sister, Tia Kofi, and Ellie Diamond, who are team “BananaDrama,” while Lawrence chooses Tayce, A’Whora, and Bimini Bon-Boulash, who are team “United Kingdolls.”

MNEK is coaching the girls when they go to record their verses. Joe Black is struggling hard to try and pronounce ci-gar how MNEK wants her to, but let’s hope she gets it in the actual performance. Based on the edit, everyone else on team BananaDrama seems to be doing well, but it can always go south in the actual performance. On team United Kingdolls, A’Whora takes the extreme sex route because she can’t sing, and it’s.. weirdly amazing? Bimini and Tayce do very well, and Lawrence, to no surprise, is struggling. However, she did fine in Rats: The Rusical, so I’m not as worried for her.

When it comes time to choreograph the dances, team BananaDrama has some tension because Joe Black needs simple choreography, but Ellie Diamond wants to raise the bar to impress the judges. Tia mentions it’s best if the choreography is simple and camp so the entire team can keep up with each other instead of someone falling behind. However, if the choreography is too simple, it can end up backfiring. The United Kingdolls seem to be on the right track, aside from Lawrence Chaney, who is nervous (but she’ll probably end up doing just fine, let’s be real).

On the main stage, RuPaul is joined by judges Michelle Visage, Graham Norton, and this week’s extra-special guest judge, MNEK, a British recording artist, who is known for his songs “Never Forget You,” “Colour,” and “At Night.”

In the actual performances, the United Kingdolls do very well, and I’m genuinely surprised. Their entire performance is HILARIOUS and full of energy. And I’m not the only one who’s living — the judges can’t get enough of them! However, when it comes to team BananaDrama, the judges do not look pleased. Their performance lacks energy, the outfits aren’t good, the choreography is basic, and the verses aren’t anything special.

On the runway, category is: A Day at the Seaside. Bimini Bon-Boulash went with a beautiful baby blue lace dress with a matching parasol, Tayce is wearing a dress made of net with sea shells attached to it, A’Whora is dressed as fish and chips (literally), Lawrence Chaney went with a campy orange dress inspired by a lifebuoy, Ellie Diamond looks exactly like a seagull, Tia Kofi is a (very simple) vanilla soft serve cone with a cherry on top of her head, Sister Sister also went with a fish and chips look, and Joe Black went with a campy, 3D “stuck in the wind” look.

The winning group of the week, to no surprise, is the United Kingdolls. And since this is a team victory, each queen will be receiving a coveted RuPeter badge. They leave the stage while the judges critique team BananaDrama.

To sum up this week’s critiques, I give you this quote from RuPaul: “I don’t wanna see any fucking H&M.”

To put it in simple terms, the judges were not happy with team BananaDrama. They received very few positive critiques, and unlike earlier in the episode, things are not looking up for any of them.

This week, the rankings for the losing group are as follows:

Ellie Diamond: SAFE

Sister Sister: LOW

Tia Kofi: BOTTOM 2

Joe Black: BOTTOM 2

Joe Black and Tia Kofi face off in a lip sync for your life to “Don’t Leave Me This Way” by The Communards. Tia’s performance, unlike her performance in the group, is full of energy, and the judges are living for it. Joe, on the other hand, is disappearing into the dark with her campy, old school performance.

Tia Kofi is declared the winner of this week’s lip sync, meaning we are unfortunately saying goodbye to our queen Joe Black (again). However, I think Joe deserved to be in the bottom this time around, so at least she was reasonably sent home, unlike her elimination in episode one.

What did you think of this week’s episode? Let me know in the comments below!

Ta-ta for now!

x

RuPaul’s Drag Race Season 13 Episode 6: A Recap

The remaining queens create a dancing documentary in honour of the disco era.

Disclaimer: This post discusses spoilers from RuPaul’s Drag Race season 13 episode 6, including who goes home this week. If you haven’t seen the episode yet, don’t say I didn’t warn ya!

Last week on RuPaul’s Drag Race, we said goodbye to our queen Joey Jay, who was defeated in a killer lip sync performance by LaLa Ri to Iggy Azalea’s “Fancy.” What did you think of last week’s lip sync?

This week, there’s still some unfinished drama between Tamisha and Kandy from last week’s Untucked. To Elliott, what’s more important to her is what they’re going to eat for dinner. Same, Elliott, same.

I don’t want to spoil too much if you missed last week’s episode of Untucked, because it was honestly so iconic that you need to watch it yourself. Here’s what went down:

For this week’s mini challenge, the queens have to work in pairs to create eye-popping designer dresses out of wallpaper provided by Spoonflower. We also find out that the queens have to pick their pairs wisely, because their partner in this week’s mini challenge will also be their partner in the maxi challenge.

The queens have 30 minutes to create a dress, beat their face, put on a wig, the whole sha-bang. It’s always a joy to see some of the queens in quick drag, because some still look gorg, while others look a little questionable. Since Gottmik was the winner of last week’s maxi challenge, she gets to choose which duo she wants to join. To no surprise at all, she chooses Kandy and Tina.

The other pairs are Rosé and Denali, Olivia and Utica, Symone and LaLa Ri, and Elliott and Tamisha, a.k.a the “bottom of the barrel.”

The winners of the mini challenge are Elliott with 2 Ts and Tamisha Iman. Personally, I think Gottmik’s dress was cuter, and her eye makeup was definitely on another level for only being done in 30 minutes. But, hey, the dresses are made out of damn wallpaper. It’s not easy to make wallpaper into high fashion, so they all did pretty well.

For this week’s maxi challenge, the queens will be making a dancing documentary (a “Disco-mentary”) about the beat that defined a generation of liberation — disco, baby. In order to create the perfect disco-mentary, the queens must learn choreography and ultimately embody the spirit of disco. Each team will be covering a different chapter: Tina, Kandy, and Gottmik will be covering the “Birth of Disco,” Elliott and Tamisha have “Disco and Sex,” Olivia and Utica have “Studio 54,” Denali and Rosé have “Disco Fashion,” and Symone and LaLa have “Disco Sucks.”

Right off the bat, Denali and Rosé are confident about being able to snatch a win because both of them have extensive dance backgrounds. We love a dynamic dancing duo! Kandy, on the other hand, doesn’t seem to be too confident because Tina and Gottmik have “two left feet.” Kandy’s words, not mine, y’all. Don’t come for me.

In rehearsal, the queens are learning choreography from Miguel Zarate, who has worked alongside icons like Rihanna, Miley Cyrus, Lady Gaga, Britney Spears, and Demi Lovato, to name a few. Kandy and Tina seem to be picking up the moves fairly well, but Gottmik is falling behind. LaLa and Symone seem to be doing fine, but they initially seem hesitant to go full out. We all know they’re going to end up turning it, though. Let’s be real here. Elliott and Tamisha have to use hola hoops in their performance, and Tamisha is clearly getting in her head, because a hula hoop isn’t the easiest prop to be working with. Rosé and Denali are absolutely killing it in rehearsal, and they have the hardest choreography out of all the queens. Are we surprised they’re picking up the choreography easily, and executing it flawlessly? Not at all. Utica and Olivia are using very large pieces of fabric in their performance, and while Olivia is slaying, Utica is on the Struggle Bus Express. She’s in her head, and it isn’t going to end well for her if she doesn’t break out of her shell.

The next day while the queens are getting ready, Tina, Kandy, and Gottmik seem to be more confident than in rehearsal. Good for them, but it’ll all come down to how they perform on the main stage. They’ve also officially named themselves the “Mean Girls” of the season — yikes. Not sure if that’s what you want to be known as when you leave Drag Race, but you do you, girl. We also learn that Olivia struggled with her weight growing up, and that she used to be almost 300 pounds. She’s obviously lost a lot of weight and looks amazing now, but the road to self love is a bumpy, twisty, extremely long road. Good on you for feelin’ your oats, Olivia! You look bomb as hell.

On the main stage, RuPaul is joined by judges Michelle Visage, Carson Kressley, and this week’s extra-special guest judge (again!), Loni Love.

In the performances, all the queens actually did fairly well (I didn’t think I would say that). I don’t think any queen in particular did terrible, however, my top two pairs go to Denali and Rosé, and Symone and LaLa Ri. If I had to choose two queens who did the worst, I’d give it to Utica and Tamisha. And while they weren’t terrible by any means, their performances lacked the most energy, and they were the two who had the least technical ability.

On the runway, category is “Little Black Dress.” I wasn’t a huge fan of tonight’s runway, as I feel the category is too simple for a show like Drag Race. Tina wore a paint-splattered white jumpsuit which she revealed into a black mini dress with flame detailings. If Tina doesn’t wear a different colour scheme other than red, orange, and yellow, I think I’m actually going to lose my mind. Kandy has a dress made out of canvas paper with a painted on black dress, Gottmik is going full nude with a teeny tiny black dress covering her you-know-what, Elliott is wearing an off the shoulder black mini dress with a black cape which she takes off, Tamisha has a simple black mini dress with black stockings, Olivia went with a sparkly black mini dress with matching sparkly tights, Utica took inspiration from Audrey Hepburn in a black leather dress with gold tights, Denali is serving us black widow spider realness, Rosé took a campy but fashionable approach by covering the outline of her black dress in grey tulle, LaLa went with a simple black dress with silver detailing along the neckline, and Symone completely served in a black two-piece and an iconic braided blonde ponytail.

Here’s where the gag of the episode comes in: the safe queens this week are Gottmik, Denali, Rosé, LaLa Ri, and Symone.

Um, excuse me? What fresh hell is this? Denali, Rosé, LaLa, and Symone being declared as safe is literally a hate crime. We all know RuPaul often makes CHOICES on the show, and girl, this was an absolute choice.

Meaning that the tops and bottoms of the week are Tina, Kandy, Elliott, Tamisha, Olivia, and Utica. If you ask me, half of these should have been safe. But, hey, that’s just my opinion. The judges critique the queens, and it’s clear Utica, Kandy, and Tamisha are walking on thin ice. Olivia and Elliott received positive critiques, and Elliott was complimented on her dance abilities. RuPaul also stressed the fact that, if you have kids, PUT THEM IN DANCE CLASSES. Seriously. Just do it.

After the judges deliberate, the rankings this week are as follows:

Olivia Lux: WINNER

Tina Burner: HIGH

Elliott with 2 Ts: SAFE

Utica Queen: LOW

Kandy Muse: BOTTOM 2

Tamisha Iman: BOTTOM 2

Girl, Tamisha and Kandy being in the bottom together? A GAG. Last week, they practically came for each other’s throats in Untucked. And now, they’re lip syncing against each other? I’m living, but I’m dying at the same time. They face off to “Hit ‘Em Up Style” by Blu Cantrell. Tamisha is giving an old school drag performance, while Kandy is taking a completely opposite approach to the song, giving us both comedy and bad bitch vibes.

Kandy Muse is declared the winner of the lip sync, meaning we are unfortunately saying goodbye to our queen Tamisha Iman. I give her props for competing at 49, because it’s not a common age for the contestants. Let’s also appreciate the fact that right before she came to the show, she beat stage 3 colon cancer, and has been living with an ostomy bag since. In my opinion, being able to still perform in drag after everything she’s been through is even better than winning the actual crown. We love you, Tamisha, and we’ll miss your iconic one-liners!

What did you think of this week’s episode? Did you expect Tamisha to go home?

Ta-ta for now!

x

RuPaul’s Drag Race UK Season 2 Episode 4: A Recap

The remaining nine queens star in a morning talk show called Morning Glory.

Disclaimer: This post discusses spoilers from RuPaul’s Drag Race UK season 2 episode 4. If you haven’t seen today’s episode yet, don’t say I didn’t warn you!

Haven’t seen it yet? watch the latest episode on OUTtvGo here.

Last week on RuPaul’s Drag Race UK, we said goodbye to our queen Asttina Mandella, who lost her lip sync to the “Baroness Basic,” Tia Kofi. If you ask me, I think Tia Kofi should have gone home. And while ultimately RuPaul is the one who makes the final decision, Asttina’s drag is more polished than Tia’s, and Tia’s runways this season (so far) have been.. questionable.

9 queens remain.

The next day in the werkroom, there’s clear tension between the queens on who should’ve gone home last week. Tayce and A’Whora think it wasn’t Asttina’s time and Tayce calls Tia basic, while Veronica Green thinks she stepped up in the lip sync and deserves to still be in the competition. Do you think Tia Kofi should’ve won in the lip sync against Asttina?

For this week’s mini challenge, the queens need to sell baked goods in the “Great British Fake Off.” But what’s fake about it? Are the baked goods fake? Is their enthusiasm fake? Are they supposed to fake an orgasm because they love baked goods so much? I’m not sure, and we may never know. But we do know one thing — the Brit Crew is there, and I don’t know if I’m drooling over the body or the desserts on the table.

As usual in a comedy challenge, some of the queens did good, and some of the queens did.. not so good. The winner of the mini challenge is Bimini Bon-boulash, who turned her Belgian Bun into a Brexit Bun — “It’s 52 percent deceit, 48 percent despair, and 100 percent not going to positively affect anyone other than Steve Dave and Paul down the pub.” 

For this week’s maxi challenge, the queens must work in pairs as daytime talk show hosts in RuPaul’s Morning Glory. If you don’t know what Morning Glory is (skip reading if you really don’t want to know), it’s British slang for the erection a man gets while still hitting the snooze button. Some also say that the erection comes from a full bladder.

Anyway.. that’s enough history lesson for today.

Since Bimini won the mini challenge, she gets first dibs. She chooses to team up with Tayce, who was once in a TJ Maxx ad, to be the hosts of the show. Ellie and Lawrence are the advice columnists, Ginny Lemon is our hippie weather girl, and Tia and A’Whora, despite A’Whora initially not being very fond of Tia, take on the roles of Essex Girls (the “money saving experts”), while Veronica Green and Sister Sister choose to be goth party planners. Assuming the queens are going to be judged in pairs, things don’t seem to be looking up for Veronica Green and Sister Sister, as both of them aren’t necessarily “goths” or “comedy queens.”

As Ru makes her way around the werkroom, there is a tense moment when she approaches Lawrence Chaney and Ellie Diamond, the two Scottish queens of the season, and says, “Lawrence Chaney” in her fake brogue (if you’ve been watching the episodes, you know what I mean), but says “Ellie Diamond” just like she might say “hot dog.” Ellie asks Ru why she doesn’t say her name like Lawrence’s, since they’re both Scottish. The queens in the werkroom are gagged, because typically queens don’t throw shade to Ru (we all remember what happened with Pearl in season 7).

However, I don’t think Ellie’s being shady here — it doesn’t seem like her brand to do so. In my opinion, she seemed genuinely confused as to why Ru wouldn’t treat the Scottish queens the same. It didn’t come off as curiosity though, because Ru’s a little bit taken aback — and we all know Mama Ru doesn’t like being confronted or told what to do.

During taping, the queens are coached by Lorraine Kelly, the “Beyoncé of morning talk shows” (according to Tayce), a Scottish TV presenter who has been the host of various shows in the United Kingdom such as Good Morning Britain, This Morning, Daybreak, and Lorraine (like the Ellen DeGeneres show, but the U.K. version)

Tayce and Bimini do very well as the hosts, who are club kids trying to read the news off the teleprompter. Lawrence and Ellie Diamond, to no surprise at all, also do well playing the “agony aunts,” a British slang term for advice columnists. Lawrence hilariously leaves the set on a mini tricycle, breaking it in the process. I don’t know about you, but I am absolutely living for Lawrence’s comedy. It sends me through the roof every time.

Tia and A’Whora, playing the money-saving Essex Girls, shine as their obnoxious characters (“One-hundred per cent, Essex!”). To give a little background on the characters, Essex is a county outside London, and its women are known for their big hair, messy makeup, flashy and revealing outfits, and most of all, trashy (yet hilarious) accents. Basically, think New Jersey, but the United Kingdom version. As the money-saving experts, they show us how to save money by doing a “gravazzle” — a vajazzle (glitter pubes) using gravel. It was so stupid, but so funny at the same time, and they completely embodied the stereotypical personalities of Essex women.

Veronica and Sister Sister, on the other hand, are very, very bad. However, I don’t blame them — how can you make goth characters bigger, or funnier?

Ginny Lemon takes an interesting approach to her role as the hippie weather girl. I don’t even know what to say about it. I’m just as confused as the other queens are.

On the main stage, RuPaul is joined by Michelle Visage, Alan Carr, and this week’s extra-special guest judge, Lorraine Kelly.

This week on the runway, category is “Monster Mashup,” which is two monsters in one look. I don’t know about you, but that runway seems pretty clear, right? Well, to some of the queens, they definitely didn’t get the memo.

Veronica Green absolutely kills it, combining Medusa, a prosthetic pig face, snakes on her head, and a snakeskin one-shoulder dress. Sister Sister combines a mummy and a werewolf with blue fur, Bimini Bon-boulash combines a playboy bunny and the Devil, saying “this is what Pamela Anderson would look like in hell.” Tayce is serving us high fashion as a vampire bride of Frankenstein, but the only thing that screams “vampire” about her look is her vampire teeth. When her mouth is closed, she just looks like a normal bride. Ginny Lemon is giving us a play on “toxic lemon,” wearing a neon green dress covered in radioactive symbols. Lawrence Chaney is taking a spin on four characters: Sweeney Todd, Buffalo Bill, Bride of Frankenstein, and Leatherface. While her outfit (and mask of her own face!) are gag-worthy, the category is a two-in-one, not 14-in-one. Ellie Diamond has a goblin face on a werewolf’s body with green skin, Tia Kofi is some sort of death demon with snakes coming out of her headdress, A’Whora looks stunning in her interpretation of a Bob Mackie Cher Barbie doll, and takes her wig off at the end of the runway to reveal her brains. She says she’s looking, “very Halloween,” but that was not the brief. The brief was “monster mash up.” 

So, technically speaking, the only queens who did the runway correctly were Veronica Green, Ellie Diamond, and Lawrence Chaney (kind of). Yikes.

The “top and bottom” queens of the week are Veronica Green, Sister Sister, Bimini Bon-boulash, Ginny Lemon, Lawrence Chaney, and A’Whora.

Meaning that Tayce, Ellie Diamond, and Tia Kofi are declared the “safe” queens of the week, and leave the stage while the judges critique the top and bottom queens.

The judges critiques this week are as follows:

Veronica Green received praise for her creative look, but was clocked for being too in her head. She takes the blame, and says it wasn’t Ellie’s fault for doing poorly, but her own, and that she didn’t mean to drag her down with her. Ellie’s look reminded them of Sonic the Hedgehog bursting through a bunch of bandages instead of a werewolf, while Bimini received praise for never breaking character and flawlessly reading off the teleprompter. However, on the runway, she was clocked for missing small details like fixing up her messy hair, and not wearing any lashes. Ginny Lemon’s weather girl was “one note” the whole time, and she went too far away from the character. They ask her why her heels are often not “high” heels, and she mentions that before coming to the show, she was diagnosed with fibromyalgia. Lawrence Chaney receives positive critiques left and right (not surprising), and A’Whora’s authentic take on an Essex girl came across very well. However, they mentioned if she hadn’t removed her wig, her runway would have been a complete miss.

The rankings this week are as follows:

Lawrence Chaney: WINNER

A’Whora: HIGH

Bimini Bon-boulash: HIGH

Veronica Green: LOW

Ginny Lemon: BOTTOM 2

Sister Sister: BOTTOM 2

Ultimately, Ginny and Sister face off in a lip sync for your life to “You Keep Me Hangin’ On” by Kim Wilde. But the gag here is, Ginny didn’t lip sync. What she did do was, right when the song started, walk off the stage. She left the building. Gone. And according to Tayce, she “BenDeLaCreme’d herself.” So, Sister Sister is left to lip sync by herself on stage in a solo performance, and she is absolutely killing it — she isn’t even phased by the fact that Ginny Lemon simply gave up.

Obviously, Sister Sister is the winner of this week’s lip sync, and Ginny Lemon is weirdly enthusiastic about going home.

What did you think of this week’s episode? And what did you think of Ginny Lemon walking off stage instead of lip syncing?

Ta-ta for now!

x

RuPaul’s Drag Race Season 13 Episode 5: A Recap

This week, the queens must serve three different looks in a Ball challenge related to bags.

Last week on RuPaul’s Drag Race, we (finally, but sadly) said goodbye to our Mackie Doll, Kahmora Hall.

For this week’s mini challenge, the queens need to shake, rattle, and roll in quick drag for “Baby Got Back.” This mini challenge was definitely a little interesting — seeing these queens dressed up as babies was something I could have gone without seeing. LaLa Ri is declared the winner of this week’s mini challenge.

For this week’s maxi challenge, the queens need to bring three looks to the runway: Mixed Bag, a punny look that includes the word “bag” in its description, Money Bags, a boss bitch look that says, “I own everything,” and a look made entirely out of bags (grocery bags, garbage bags, duffel bags, etc).

Rosé, who calls Kandy, Symone and LaLa Ri the “bald brigade,” mentions those three don’t know how to sew, so the chances of them doing well this week aren’t very high. Kandy is thinking of creating a “hoe-y” first day of college look with backpacks, while Utica is being a total sweetheart helping LaLa Ri thread her sewing machine. Symone seems very lost, and it’s clear her lack of sewing knowledge is impacting her confidence. LaLa Ri instead takes the hot glue route, and starts hot gluing mini party favour bags onto a bodysuit. However, things start to go south when she realizes there aren’t enough bags to cover her entire body.

RuPaul visits the queens in the werkroom to get an idea of who knows what they’re doing, and who doesn’t. Kandy promises the judges they won’t see any undergarments this time around, and RuPaul tells Symone not to listen to his inner saboteur despite not being able to sew. Gottmik mentions he went to FIDM before Drag Race, but hasn’t practiced his sewing skills in quite some time since. Utica makes costumes professionally for aerialists and fire dancers, so things are looking high (ha — get it?). Joey and LaLa Ri seem hopeful, but not confident — aka they aren’t confident at all, so we’ll have to see how it goes for them.

Before leaving the werkroom, RuPaul lets the queens know they have to accessorize their looks with a COACH Create tabby bag — OKAY, BUDGET!

On elimination day, Gottmik is feeling confident he’s going to win, but Kandy is questioning Joey’s taste level due to his costume being a bit of a mess. The queens also have an emotional talk about the Black Lives Matter protests, which is extremely moving. LaLa Ri gets emotional in his confessional, and I would be lying if I said I wasn’t hurting for him.

On the main stage, RuPaul is joined by judges Michelle Visage, Carson Kressley, and this week’s extra-special guest judge (again!) Nicole Byer.

For Mixed Bags, Denali is dressed as a crash test dummy, Joey is wearing a rhinestoned bodysuit with poison ivy leaves while carrying an IV bag, LaLa Ri is wearing a black bodycon dress with various human bones (obviously fake) attached to it, Elliott is a bright blue gift bag, Tamisha is giving us grandma (literally, she made herself look like an old lady) chic in a white pant suit, Symone is wearing a velvet, sparkly bodycon dress with balloons as breasts which she pops with a needle right before she exits, Olivia is dressed as a wrestler, which looks similar to Symone’s “Lamé, You Stay” runway, Gottmik went gruesome with a human body parts bodysuit and body bag, Rosé is paying homage to her Scottish heritage with a kilt dress and bag pipes on the back, Tina is a paper bag from the liquor store, Kandy is giving us latex realness while carrying a “magic bag,” which she pulls a baseball bat out of, and Utica is giving us poodle realness.

For Money Bags, Denali is giving us a Cruella de Vil as an Editor-in-Chief of a fashion magazine fantasy look, Joey is giving us an Annie Lenox moment in a red blazer with black latex pants, Elliott is wearing a red monochrome over structured blazer with a pencil skirt, Tamisha looks classy and as if she’s on her way to fire someone, Symone looks like a “futuristic rich lady” in a pink pantsuit, Olivia is wearing a blue pantsuit with a cape, Gottmik has a pinstriped suit with one (sparkly) bra cup exposed, Rosé is serving 80s business chic in reference to the 1988 movie Big Business, Tina is giving us a complete houndstooth fantasy, Kandy has a wig made out of dollar bills with a hoe-y pink two-piece, and Utica is giving us executive realness in a black, fitted suit and oversized jewelry.

For 100% Bag Drag, Denali is giving us a fashionable twist on a traditional Mexican garment made out of floral-print purses, Joey is mixing Madonna, Lady Gaga and Minnie Mouse made from white-polka dot canvas bags, black net bags, and black sequin bags, LaLa Ri, on the other hand, has an extremely messy and practically falling apart bodysuit constructed with mini party favour bags, Elliott made a pink cow-print two-piece and overcoat out of a bean bag, Tamisha is wearing an interesting (and not in a good way) sparkly dress, Symone is wearing a vintage-inspired red and white two-piece with an extra-long pony tail, Olivia is wearing a green, gladiator two-piece crafted from holographic bags, Gottmik went with a futuristic look made from backpack straps and silver drawstring bags, Rosé is spinning down the runway in another futuristic, femme fatale robot look, Tina is wearing red yet again (I’m over it, Tina!), made from a bean bag, Kandy has a tube top and mini skirt made from JanSport backpacks, and Utica totally gagged the judges with a campy look made entirely from sleeping bags.

This was my reaction after seeing some of these “100% Bag Drag” looks (I’m looking at you, LaLa Ri):

The queens that are declared safe this week are Denali Foxx, Elliott with 2 Ts, Symone, Olivia Lux, Tina Burner, and Kandy Muse. While the safe queens exit the stage to untuck, the judges critique the top and bottom queens: Joey Jay, Tamisha Iman, Gottmik, Rosé, and Utica Queen.

Joey’s “Mixed Bags” look confused the judges because she made an accidental 2-in-1 pun, while Michelle noted she’s definitely seen worse for her “100% Bag Drag” look. The judges enjoyed LaLa Ri’s “Money Bags” look, but they clocked her for her disastrous “100% Bag Drag” look. Tamisha’s “Money Bags” look was too ‘real life’ and not theatrical enough, and her “100% Bag Drag” had a few elements that the judges could have done without. Michelle also made a comment that she needs to improve on blending her makeup and suggested she speak to some of the other queens who are extremely talented with makeup (cough cough, Gottmik). Speaking of Gottmik, her fashion school education clearly worked in her favour, because she was praised for all three of her runway looks. Rosé also received positive critiques with few minor suggestions, and Utica received extremely positive critiques left and right — I’m going to assume Utica will likely be snatching the win this week!

While the top and bottom queens exit the stage to untuck, the judges deliberate to decide the winner and bottom two of the week. After deliberations, the rankings this week are as follows:

Gottmik – WINNER

Utica Queen – HIGH (clearly my assumption was wrong).

Rosé – SAFE

Tamisha Iman – LOW

Joey Jay – BOTTOM TWO

LaLa Ri – BOTTOM TWO

Joey and LaLa Ri face off in a lip sync for your life to “Fancy” by Iggy Azalea ft. Charli XCX. Both queens are definitely serving it, and it could likely go either way. However, the judges and queens (and me, too!) are absolutely living for LaLa Ri’s interpretation of the song.

LaLa Ri is declared the winner of this week’s lip sync, which means we are unfortunately saying goodbye to our queen Joey Jay. We’ll miss you, Joey!

What did you think of this week’s episode? Let me know in the comments below!

Ta-ta for now!

x

Why We Need To Work On Making PrEP More Accessible

Manitoba has work to do on protecting those who are at risk for HIV.

Please note: this post discusses PrEP in Manitoba, Canada. What may be discussed here may not apply to you if you live elsewhere.

If you’re one of the at-risk groups for contracting HIV (human immunodeficiency virus), then you’ve probably heard of something called PrEP (Pre-Exposure Prophylaxis).

Before we dive into what exactly PrEP is, let’s talk about who it can benefit:

According to HIV.gov, PrEP may benefit if you if you are HIV-negative and any one of the following apply to you:

You are a gay/bisexual man, and you:

  • have an HIV-positive partner
  • have multiple partners, a partner with multiple partners, or a partner whose HIV status is unknown–and you also:
    • have anal sex without a condom, or
    • recently had a sexually transmitted infection (STI)

You are a heterosexual male or female, and you:

  • have an HIV-positive partner
  • have multiple partners, a partner with multiple partners, or a partner whose HIV status is unknown–and you also:
    • don’t always use a condom for sex with people who inject drugs, or
    • don’t always use a condom for sex with bisexual men

You inject drugs, and you:

  • share needles or equipment to inject drugs
  • are at risk for getting HIV from sex

As you can clearly tell, PrEP isn’t just for men who identify as gay or bisexual. While HIV more commonly affects this particular group, we shouldn’t be singled out. This means PrEP can be used by so many people who can benefit from it — so why do we make it so inaccessible?

Before I continue, let’s break down what exactly PrEP is:

PrEP is an HIV prevention method, in which people who are HIV-negative take HIV medicine daily to prevent contracting the virus. If you are in one of the at-risk groups I listed above, PrEP can significantly reduce your chance of contracting HIV by 99%.

99% sounds pretty great, doesn’t it? I agree.

Now here’s the problem: do you have an extra $250-$1000 a month to shell out?

If you answered yes, then congratulations! Go get yourself some PrEP.

If you’re like me, and you answered no, then that’s exactly why the inaccessibility of PrEP is such a huge problem.

Tenofovir/Emtricitabine (Truvada), which is the most common brand used for PrEP, is not an eligible benefit covered under Manitoba Pharmacare.

But guess what?

Manitoba is the only province in Canada that doesn’t provide coverage for PrEP.

If that doesn’t upset you, then quite frankly, I don’t know what will.

Unless you have a third-party or private insurance company who may offer coverage for PrEP, even then, it’s not a guarantee.

So, I ask this question again: why are we making PrEP inaccessible for Manitobans who may need it the most?

As a province, we need to do better, and we need to take care of our community.

And taking care of our community doesn’t mean picking and choosing who we think deserves to live, and who we think deserves to die.

Let’s take this into consideration: In 2019, there were 121 new cases of HIV in Manitoba.

That may seem like a low number to you, but that’s because you don’t have HIV.

Those are 121 people who could have had a chance at still being HIV-negative today.

But now? It’s something they have to live with for the rest of their life.

As a gay man, I don’t feel comfortable having sex with a stranger, because how do I know if they’re HIV-positive? Sure, they can say no. But when was their last test? Do they have proof of being HIV-negative?

It sure sounds a little weird to ask someone for their STI panel before you have sex with them, doesn’t it?

We can take that worry away by making PrEP covered under Manitoba Pharmacare.

But is anyone putting in the work to make it more accessible?

I believe that Manitoba should step up and cover PrEP under their provincial healthcare plan. If we can save even a few lives every single year, then those are still live’s worth saving.

Even though you may not know someone living with HIV, those who do are someone’s friend, brother, sister, mother, father, grandmother, or grandfather.

You aren’t safe from HIV either.

Please use your voice to make PrEP more accessible.

If you want to learn more about PrEP, here are some helpful resources below:

Nine Circles Community Health Centre – PrEP information for healthcare providers

Manitoba 2019 HIV statistical update

CATIE (Canadian AIDS Treatment Information Exchange) – PrEP access and coverage

RuPaul’s Drag Race Season 13 Episode 4 recap: Which queen was finally sent home?

The queens act in cheesy movies for the “RuPaulmark” channel. One of the queens is finally sent home.

DISCLAIMER: This post discusses spoilers from RuPaul’s Drag Race season 13, episode 4. If you haven’t seen the episode yet, don’t say we didn’t warn ya!

Another week, another episode of RuPaul’s Drag Race, baby!

We start the episode off with the winning group of queens waiting for the Porkchop queens in the werkroom. Elliott with 2 Ts decides to hide for when the Porkchop queens enter, and they’re definitely gagged when they see her walk out.

There’s also some tension between Elliott and Tamisha when Elliott confronts the queens for sending her home — she asks why Tamisha didn’t go home (which doesn’t really make sense, because the tie break was between Elliott and Utica, not Tamisha), which Tamisha responds, “They didn’t vote [for] me. They voted you.”

TEA, TAMISHA.

This week, we learn that a queen will finally be going home this week.

I can’t believe I’m saying this, but I’m actually looking forward to seeing queens sashay away (officially this time).

Let’s get right into the recap, shall we?

MAXI CHALLENGE

For this week’s maxi challenge, the queens will be starring in their own TV shows on the RuPaulmark (Hallmark) channel.

And instead of having a mini challenge to decide who gets to be group captains, RuPaul chooses the groups instead, leaving the queens to choose their own roles in their respective groups.

Acting in Misery Love’s Company:

  • Denali Foxx
  • Elliott with 2 Ts
  • Kahmora Hall
  • Olivia Lux

Acting in God Loves Flags:

  • LaLa Ri
  • Rosé
  • Symone
  • Utica Queen

Acting in April Fool’s Rush In:

  • Gottmik
  • Joey Jay
  • Kandy Muse
  • Tamisha Iman
  • Tina Burner

While the queens are reading through their scripts and deciding their roles in the werkroom, RuPaul visits the queens. He tells them to carefully look through each group’s scripts to find any similarities—this is essentially a jab at Hallmark for all of their movies having very similar plots to each other. The edit skips right over the Misery Love’s Company group—yikes. The God Loves Flags group seems to be in good shape, and when RuPaul visits them, he asks Utica if he’s ever smoked weed before, and, well.. I’m going to let this video speak for itself (trust me, you won’t regret it):

I don’t think I’ve seen RuPaul cackle this hard in a long time.

When the queens go to film, Gottmik and Joey are struggling a bit, while Tamisha on the other hand, is making me CACKLE with her Cher impression. Kandy and Tina also did very well, so it seems like Gottmik’s group is looking fairly promising.

Symone and Rosé definitely know what they’re doing, but Utica forgets her three lines she has. LaLa Ri is supposed to be sad in her role, but girl.. she is giving us NOTHING. The only thing she is giving us is monotone realness.

Denali’s group? Well, it’s safe to say they are struggling. And by struggling, I mean they’re a complete mess. Denali keeps messing up her lines, and Kahmora somehow couldn’t pronounce “I was rooting for us!” properly (she’s reminding us of “Opulence, you earn everything!” from season 11). Let’s hope Olivia Lux and Elliott can somehow pull the group together.

While the queens are getting ready for the runway, Symone reveals to the group her first time in drag was during her high school prom:

We also find out that Tamisha Iman used to date girls—AND HAS THREE BIOLOGICAL CHILDREN. He mentions how it took him a while to come to the conclusion that he was gay, when a friend took him to a gay club, which is where he had his “a-ha moment.” He then started doing drag at the age of 20. Fun fact: “Tamisha” is the same name as his eldest daughter, who is 35-years-old!

RUNWAY

On the runway, RuPaul is joined by judges Michelle Visage, Ross Mathews, and this week’s extra-special guest judge, Loni Love, who was a previous contestant on RuPaul’s Secret Celebrity Drag Race.

This week, category is: Trains For Days!

Denali has a quetzal bird-inspired look with a giant green mohawk and an ostrich feather train, and Olivia went for a Beethoven-inspired look with a metallic train, while Elliott channels Glenn Close and Meryl Streep in a white lace catsuit (anyone else think it reminds them of Morgan McMichael’s catsuit from her lip sync on All Stars 5?) with a big, poofy train. Kahmora has a gold, metallic dragon-inspired dress with spikes along the back, and Symone has a teal tracksuit with an extra-long durag as her train. LaLa Ri is giving us snake realness, while Utica took inspiration from “Gone with the Wind” with a curtain rod along her shoulders. Rosé has a bold, blue pantsuit with a huge train made of tulle, Gottmik wore a bodysuit and chiffon train with the transgender flag colours (while carrying a bedazzled leafblower), Tina went with a campy train conductor look, Joey wore an all-black look with a huge train meant to look like a pierced tongue, Kandy went total glamour in a velvet, blood red gown, and Tamisha strutted in a skin-tight pink catsuit with a sheer train.

To see all the looks from tonight’s runway, here’s a compilaton from the RuPaul’s Drag Race Twitter account:

CLOSING

The safe queens this week are: Elliott with 2 Ts, Olivia Lux, Utica Queen, Joey Jay, Gottmik, Tina Burner, and Tamisha Iman. Personally, I thought Tamisha and Tina would have placed higher than safe!

Meaning the tops and bottoms of the week are: Denali Foxx, Kahmora Hall, Symone, Rosé, LaLa Ri, and Kandy Muse.

The judges critiques this week are as follows:

The judges loved Denali’s train look, but think she could have gone way farther in the acting challenge. Kahmora is similarly praised for her look as well, but the judges mentioned she fell flat in the challenge. Symone was praised for both her runway and performance — could Symone take her second win of the season?

The judges enjoyed LaLa Ri’s look as well, but said her performance was too “internal” and “withdrawn.” It’s clear at this point LaLa Ri needs to let loose a bit more before it lands her in the bottom. Rosé’s look was apparently mediocre (I disagree), but she was praised for bringing so much life and joy into a stationary character. Kandy was also praised for staying committed to her character in the challenge, but was clocked for her runway being messy.

After the judges deliberate, the rankings this week are as follows:

Rosé – HIGH

Symone – WINNER

Kandy Muse – SAFE

LaLa Ri – LOW

Denali Foxx – BOTTOM 2

Kahmora Hall – BOTTOM 2

Denali and Kahmora face off in a lip sync for your life to “100% Pure Love” by Crystal Waters. Denali rips off the lower half of her train and starts giving us high energy. She’s definitely dancing the house down BOOTS. Kahmora, on the other hand, is giving us low energy — but I don’t blame her, she’s hampered by her restrictive dress, and it’s a shame.

Unfortunately, we say goodbye to Kahmora Hall this week, and RuPaul did not HESITATE to send her home. Usually once a lip sync is over, RuPaul says the same thing: “Ladies, I’ve made my decision..”

(cue the suspense)

However, this time, RuPaul said, “Denali, that was 100% pure fun. Shantay, you stay.”

Am I the only one who was gagged at that? I mean, Denali destroyed Kahmora, but still, ya know?

What did you think of this week’s episode? Let me know down below!

Ta-ta for now!

x

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